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Defining Religion Panel (L-R)): Molly Null, Allie McInerney, and Michaela Williams

MMC Hosts 11th Annual Philosophy and Religious Studies Conference


Friday, March 29, 2019: Students, faculty, and guests gathered in the Regina Perguggi room for the History, Philosophy, and Religious Studies annual conference.

Random Order

  • <div class="feature "> <div class="feature__media"> <picture class="lw_image"> <source media="(max-width: 500px)" type="image/webp" srcset="/live/image/gid/110/width/500/height/500/crop/1/src_region/0,0,640,480/23459_Sesame1.rev.1574437879.webp 1x" data-origin="responsive"/> <source media="(max-width: 500px)" type="image/jpeg" srcset="/live/image/gid/110/width/500/height/500/crop/1/src_region/0,0,640,480/23459_Sesame1.rev.1574437879.jpg 1x" data-origin="responsive"/> <source media="(min-width: 501px)" type="image/webp" srcset="/live/image/gid/110/width/800/height/800/crop/1/src_region/0,0,640,480/23459_Sesame1.rev.1574437879.webp 1x" data-origin="responsive"/> <source media="(min-width: 501px)" type="image/jpeg" srcset="/live/image/gid/110/width/800/height/800/crop/1/src_region/0,0,640,480/23459_Sesame1.rev.1574437879.jpg 1x" data-origin="responsive"/> <img src="/live/image/gid/110/width/800/height/800/crop/1/src_region/0,0,640,480/23459_Sesame1.rev.1574437879.jpg" alt="Students in Dr. Nava Silton's Psychology and NYC Seminar courses pose for a photo at Sesame Workshop" width="800" height="800" data-max-w="640" data-max-h="480" loading="lazy" data-optimized="true"/> </picture> </div> <div class="feature__text"> <h2 class="h3"> <a href="/live/news/3443-mmc-students-take-a-trip-to-sesame-street">MMC Students Take a Trip to Sesame Street</a> </h2> <hr class="feature__hr"/> <div class="feature__summary"> To celebrate Sesame Street’s 50th Anniversary, <strong><a href="/live/profiles/285-nava-silton">Nava Silton, Ph.D.</a></strong>, Associate Professor of Psychology, brought 38 students from her Psychology and NYC Seminar classes for a tour and discussion at Sesame Workshop on Manhattan’s Upper West Side. </div> </div> </div>
  • <div class="feature "> <div class="feature__media"> <picture class="lw_image"> <source media="(max-width: 500px)" type="image/webp" srcset="/live/image/gid/45/width/500/height/500/crop/1/src_region/225,0,944,720/22363_FIRST_GENERATION.rev.1565886375.webp 1x" data-origin="responsive"/> <source media="(max-width: 500px)" type="image/png" srcset="/live/image/gid/45/width/500/height/500/crop/1/src_region/225,0,944,720/22363_FIRST_GENERATION.rev.1565886375.png 1x" data-origin="responsive"/> <source media="(min-width: 501px)" type="image/webp" srcset="/live/image/gid/45/width/800/height/800/crop/1/src_region/225,0,944,720/22363_FIRST_GENERATION.rev.1565886375.webp 1x" data-origin="responsive"/> <source media="(min-width: 501px)" type="image/png" srcset="/live/image/gid/45/width/800/height/800/crop/1/src_region/225,0,944,720/22363_FIRST_GENERATION.rev.1565886375.png 1x" data-origin="responsive"/> <img src="/live/image/gid/45/width/800/height/800/crop/1/src_region/225,0,944,720/22363_FIRST_GENERATION.rev.1565886375.png" alt="MMC First Generation Program Coordinators" width="800" height="800" data-max-w="719" data-max-h="720" loading="lazy" data-optimized="true"/> </picture> </div> <div class="feature__text"> <h2 class="h3"> <a href="/live/news/3271-mmc-introduces-new-first-generation-initiative-and">MMC Introduces New ‘First Generation’ Initiative and Mentor Program</a> </h2> <hr class="feature__hr"/> <div class="feature__summary"> The First Generation program at Marymount Manhattan College is a campus-wide initiative aimed at supporting students who are first in their families to attend college or university. </div> </div> </div>
  • <div class="feature "> <div class="feature__media"> <picture class="lw_image"> <source media="(max-width: 500px)" type="image/webp" srcset="/live/image/scale/2x/gid/163/width/500/height/500/crop/1/6245_rinaldi_image.rev.1472490813.webp 2x" data-origin="responsive"/> <source media="(max-width: 500px)" type="image/jpeg" srcset="/live/image/scale/2x/gid/163/width/500/height/500/crop/1/6245_rinaldi_image.rev.1472490813.jpg 2x" data-origin="responsive"/> <source media="(min-width: 501px)" type="image/webp" srcset="/live/image/gid/163/width/800/height/800/crop/1/6245_rinaldi_image.rev.1472490813.webp 1x" data-origin="responsive"/> <source media="(min-width: 501px)" type="image/jpeg" srcset="/live/image/gid/163/width/800/height/800/crop/1/6245_rinaldi_image.rev.1472490813.jpg 1x" data-origin="responsive"/> <img src="/live/image/gid/163/width/800/height/800/crop/1/6245_rinaldi_image.rev.1472490813.jpg" alt="" width="800" height="800" data-max-w="1018" data-max-h="1237" loading="lazy" data-optimized="true"/> </picture> </div> <div class="feature__text"> <h2 class="h3"> McNulty, Charles. “Scenes From a Scary Marriage.” Review of Macbeth. The New York Times. New York, 2013: Print. MMC Coll #1, Box 94; Folder 8. The William Harris Papers. Marymount Manhattan College. </h2> <hr class="feature__hr"/> <div class="feature__summary"> <p> The article, “Scene From a Scary Marriage” written by LA critic Charles McNulty, criticizes and analyzes  CSC Theatre’s production of  Shakespeare’s <em>Macbeth</em>. McNulty introduces Falstaff Presents, “a troupe of young, sexy, classically trained actors.” Stimulatingly, McNulty addresses the unique atmosphere of the classic tale, as a male ballet opens the production. Showcasing the evolution and development of iconic female characters, McNulty reviews Alyssa Bresnahan’s portrayal of Lady Macbeth, claiming it “seems more real, more horrible, and ultimately more tragic than the traditional demonized approach to the role.” Conversely, other creative alterations to the classic Shakespeare tragedy are not in alignment with McNulty’s ideals. He argues that Stehlin’s portrayal of Macbeth remains “less credible” exposing that his “unfortunate mannerisms…seem truer to the Actors Studio than the Scottish King.” Overall, McNulty gave a decent review to CSC Theatre’s production of <em>Macbeth</em>. Despite, McNulty’s approval of Bresnahan’s Lady Macbeth, he seems to prefer more traditional interpretations of the tragedy. <strong>–Gayle Rinaldi</strong></p> </div> </div> </div>

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